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One listen
to their exciting V2 Records debut Touch and Go and it all makes perfect
sense. The album is a nonstop, eclectic ride that's pure rock'n'roll,
but with something else, too. Featuring a brand-new but instantly accessible
sound, this dynamic New York quartet shifts effortlessly from the pop
hooks of the driving title track (the first single), to epic rock tunes
like "Crush" and "Special," to the groove-laden "Claim to Fame."
"A lot
of bands get pigeonholed, and we've tried to avoid that," says singer
Phil Vassil. "I'm a great believer in songs, but there's a lot of variety
on this record, from classic rock influences to programmed deep grooves.
Some people don't get that, but when there's so much good music out
there these days, it's not enough to do just one thing."
Vassil
and Mazlen have been honing their ambitious mix since the mid-'90s.
The two met on the New York City studio circuit, where both had been
playing other people's sessions, as well as cutting their own material,
and hit it off immediately. "We're very different personalities, but
that's one of the things that keeps it exciting," says Vassil. "From
the moment we met we seemed to be on the same page musically. I'd been
doing my own thing for a long time, but James was the missing piece
to the puzzle."
Sharing
an unusually wide range of musical influences, from Zeppelin to Depeche
Mode, they began writing songs together, making demos in their home
studios. The formula worked so well that within a year they had a band
together and were signed to independent label Iguana on the strength
of their very first show.
Vibrolush
subsequently cut its 1997 debut album, Vibrolush, in Seattle, with Barrett
Jones producing. Interscope picked up the rights to the album, and the
buzz on the band began to build.
For their
V2 debut Touch and Go, Vibrolush teamed up with veteran producer Steve
Thompson, whose credits include Korn, Butthole Surfers, Rollins Band
and Guns and Roses. "We liked him because he's musically versatile,"
Mazlen says. "Steve's worked with hip hop and reggae artists, as well
as producing harder stuff, so he understands the groove element in what
we do."
Adds Vassil,
"Steve's a very hands-on producer -- he's not afraid to tell you what
he thinks. He definitely makes you take another look at what you're
doing as a band and encourages you to top yourself"
Vibrolush
cut Touch and Go over four different sessions last winter. "We liked
recording that way," explains Vassil, "because it gave us the opportunity
to go back over what we'd done and tweak -- we ended up experimenting
with more instruments, using lots of keyboards and things like tabla."
"The way
James and I work together is perfect," he notes. "We're totally on the
same page musically. Wherever I leave off, he picks up and finishes,
and vice-versa. We could start with ten different ideas but know right
away the best three -- there's never an argument -- which is amazing
and so hard to find.
Now, with
the single "Touch and Go" creating a stir at radio, and the album on
the way, Vibrolush is eager to get back to what they do best -- performing
live. In addition to Vassil and Mazlen, the band's current lineup includes
Tobias Ralph on drums and 'B' on bass.
"We love
playing live," notes Vassil. "The thing I like is that every show is
unique. You can play the same songs every night for months but never
duplicate the experience."
While the
world waits to sample Vibrolush onstage, the album serves as the perfect
introduction to this up-and-coming band. "We wanted to make a classic
record, one you could listen to from start to finish, without getting
bored," says Mazlen.
"We tried
to push the envelope with our sound and do something original -- start
something new," he continues. "It's the hardest thing to do because
people will always try to label bands, but if you come through with
the songs, you'll earn their respect."
On the
strength of their V2 Records album, Vibrolush can look forward to plenty
of respect indeed.
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